This book presents an aesthetic of sculptural art, which has too often submitted to the rule of architecture and painting. Herbert Read emphasizes the essential and autonomous nature of sculpture—“Form in its full spatial completeness,” in the words of British sculptor Henry Moore. The Art of Sculpture provides historical support and theoretical rigor to this conception. Along the way, this incisive and wide-ranging book takes readers on a breathtaking tour of great works of sculpture from prehistoric times to the modern era.

Presenting a more expansive and inclusive history of sculpture, Great Women Sculptors surveys the work of more than 300 trailblazing artists from over 60 countries, spanning 500 years from the Renaissance to the present day. Organized alphabetically, each artist is represented by an image and newly commissioned text. This wide-ranging survey champions the best-known women sculptors from art history alongside today''s rising stars.

The Human Factor: The Figure in Contemporary Sculpture brings together the work of over 20 leading international artists, in whose practice the human form plays a central role.Over the past 25 years, artists have reinvented figurative sculpture by looking back to earlier movements in art history as well as imagery from contemporary culture.

A collection of essays discussing works of art whose formal qualities, content and spatial interactions expand our idea of creation and commemoration. By addressing projects that range from war memorials to commemorations of individuals, as well as works that engage real and virtual environments, this book brings to light new aspects concerning twentieth and twenty-first century monuments and site-specific sculpture.

The Metropolitan Museum of Art has long been renowned for its collection of American sculpture, in particular its world-famous American Neoclassical marbles. This volume contains eight papers presented at a symposium held at the Museum on October 26, 2001, upon the publication of American Sculpture in The Metropolitan Museum of Art. The contributors, who include art historians, museum professionals, and independent scholars, offer a fascinating cross section of current thematic interests and scholarly approaches to American sculpture. Each contributor takes as their starting point a sculpture or group of sculptures in the in the Metropolitan's collection.

Looking at a work of art, like listening to music, becomes a rewarding experience only if the senses are alert to the qualities of the work and to the artist's purpose that brought them into being. The language of sculpture must be learned. In this in-depth study, readers examine the materials, tools, methods, styles, and practices that are involved in sculpting and many of the techniques that have been used by accomplished artists who have contributed to sculpture as a fine art, from the marble gods of Phidias to the mobiles by Alexander Calder.

A unique anthology of articles on contemporary sculptors drawn from the 25-year history of Sculpture magazine, A Sculpture Reader offers a valuable overview of three dimensional art since 1980.

With 1,187 color images representing 288 contemporary sculptors, this is the most comprehensive and up-to-date single volume sculpture reference available. All aspects of sculpture are alphabetically arranged, visually demonstrated, and easily readable. The design and multitude of color images make this book easily understood and enjoyed by all levels of readers. Measurements are in English and metric terms.

By taking simple ways of looking at sculpture, this book uncovers unexpected affinities between works of very different periods and types. From sundials to mirrors, from graves to way-markers, from fountains to contemporary art, a wide range of illustrated examples expands the definitions of sculpture and proposes that we understand this art as something more fundamental to the way we experience and construct our rites of passage.

This thematic selection of recent work from nine established and emerging international sculptors--the eldest born in 1947 and the youngest in 1974--collects the ways they are giving shape to the fleeting, ephemeral, theoretical and difficult-to-explain. From Charles Long's delicate, poetic and personal debris assemblages to Björn Dahlem's quirky, elegant models of black holes and Andrea Cohen's styrofoam and packing-peanut networks, their works are inspired by and address the history of their medium, as they explore how it can continue to challenge and expand our ways of seeing.